Showing posts with label "Madame Etiquette". Show all posts
Showing posts with label "Madame Etiquette". Show all posts

Monday, June 3, 2024

The Tyranny of Etiquette

She was known for her tyrannical views of etiquette…  
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Anne d’Arpajon, the Comtesse de Noailles (Anne Claude Louise d'Arpajon), was a French noblewoman and Versailles court official. She served as the Dame d’Honneur for two French Queens, the young, Marie Antoinette and her predecessor, Marie Leszczyńska. Dubbed “Madame Etiquette” due to her insistence that not even the smallest minutia of Versailles court etiquette ever be ignored nor altered, she was a continual irritant to Marie Antoinette.— Public domain image of “The Lady with the Mask” aka “Madame Etiquette,” by Louis Surugue, 1746
It is impossible to read even the least dogmatic books on etiquette without being oppressed with the conviction that a heavy and binding addition has been made to the code of morals in the by-laws which have to do with visiting cards, invitations, conventional phrases and other minor but vigorous formulas. It has been reiterated by writers on these subjects that not a single rule of etiquette is arbitrary, but that all prove their reason in the very nature of things, and that those who disregard them simply show their own lack of insight and incapacity to appreciate genuine refinement.

While this is all very well for society people pure and simple or those who have other definite and absorbing work in life compliance with all the thousand and one trifling points of etiquette is an utter impossibility. The question then becomes, “Shall such persons be excluded from society or be allowed to enter it on their own terms?” Society might be so conducted as to make of it a charming and delightful recreation instead of a tyrannical business, and those who see this clearly can do much toward making it so.– Philadelphia Press, 1854


  🍽Etiquette Enthusiast, Maura J. Graber, is the Site Editor for the Etiquipedia© Etiquette Encyclopedia

Thursday, March 28, 2024

Cast Iron Law Etiquette at Versailles

Kirsten Dunst as “Marie Antoinette” and Judy Davis as “Madame Etiquette” in the 2006 film “Marie Antoinette” depicting a similar scene as to the second anecdote described below. – Image source, Pinterest

STRICT RULES OF ETIQUETTE:
In Ancient France Everything Went by Cast Iron Law

In Baron Rothschild’s recent book of anecdotes he tells some curious tales of the extremely stringent rules of etiquette which prevailed at the French Court in the reign of Louis XVI. Marie Antoinette christened the Comtesse de Noailles, “Madame Etiquette.” Once, when she fell from a donkey in her private grounds, she jumped to her feet and cried out, laughing: “Go and fetch Mme. de Noailles; she will tell us what is prescribed for a Queen of France when she falls off a donkey.”
One cold winter night, when the Queen was undressing, the maid was handing her the chemise de nuit when the lady in waiting came in, to whom, as being of of superior rank, the garment had to be given over. She could not touch it, however, until she had removed her gloves, and before that operation had been performed the Duchess d’Orleans, a princess of the blood, turned up, and after her, the Comtesse de Provence, who was of higher rank still, so that the chemise had to be handed from one to the other, while the Queen stood waiting and shivering. At last, unable to contain herself any longer, she exclaimed: “It is odious! What a nuisance!” — In “The Mirror,” 1896



🍽Etiquette Enthusiast, Maura J. Graber, is the Site Editor for the Etiquipedia© Etiquette Encyclopedia

Friday, June 23, 2023

Madame l’Etiquette vs Marie Antoinette

  


Anne d'Arpajon, the comtesse de Noailles (Anne Claude Louise d'Arpajon, was a French noblewoman and Versailles court official. She served as the dame d'honneur for two French Queens, the young, Marie Antoinette and her predecessor, Marie Leszczyńska. Dubbed “Madame Etiquette” due to her insistence that not even the smallest minutia of Versailles court etiquette ever be ignored nor altered, she was a continual irritant to Marie Antoinette.— Public domain image of “The Lady with the Mask” aka Madame Etiquette,” by Louis Surugue, 1746

When fourteen year old Marie-Antoinette arrived in France the lady singled out to be her guide was not a warm, motherly person but the one who was next in line for such an exalted office. It was Anne Claude Louise d'Arpajon, Vicomtesse de Noailles, who had been the first lady-in- waiting to the late Queen Marie Lesczynska and was therefore a stickler for etiquette. The Polish Queen had been strict about etiquette since she was the daughter of a dethroned king and later a As Madame Campan shrewdly describes in her memoirs:

“While doing justice to the virtues of the Comtesse de Noailles, those sincerely attached to the Queen have always considered it as one of her earliest misfortunes not to have found, in the person of her adviser, a woman indulgent, enlightened, and administering good advice with that amiability which disposes young persons to follow it. The Comtesse de Noailles had nothing agreeable in her appearance; her demeanour was stiff and her mien severe. She was perfect mistress of etiquette; but she wearied the young Princess with it, without making her sensible of its importance. It would have been sufficient to represent to the Dauphiness that in France her dignity depended much upon customs not necessary at Vienna to secure the respect and love of the good and submissive Austrians for the imperial family; but the Dauphiness was perpetually tormented by the remonstrances of the Comtesse de Noailles, and at the same time was led by the Abbe de Vermond to ridicule both the lessons upon etiquette and her who gave them. She preferred raillery to argument, and nicknamed the Comtesse de Noailles Madame l'Etiquette.”

Marie-Antoinette rebelled against the stringency of the etiquette, which she did not think was necessary, and as Queen she changed some of the rules. She also chose people for offices not from the usual noble families but based upon her liking of them and whether she thought them capable. It would amaze us how much resentment she caused among the nobles, resentment which her enemies put to work against her. Nevertheless, Madame de Noailles and her husband were loyal monarchists and died on the guillotine during the revolution.— From the Tea at Trianon Blogspot


🍽Etiquette Enthusiast, Maura J. Graber, is the Site Editor for the Etiquipedia© Etiquette Encyclopedia

Tuesday, July 21, 2020

Marie Antoinette’s Last Etiquette Lesson

The Comtesse de Noailles, nicknamed “Madame Etiquette,” bored Marie Antoinette very much by her particularity on minor points of conduct. One day, Marie Antoinette’s mocking spirit had its chance. She fell from her donkey and lay on the grass for a while, laughing. “Run as fast as you can,” she said to the nearest attendant as soon as she could speak, “and ask Madame Etiquette how the Queen of France ought to behave when she tumbles off her donkey.” – Santa Cruz Sentinel, 1910
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The last etiquette Marie Antoinette had to learn in France, was that which the c
ourtly gentlemen, nobles of the old regime, rehearsed with her and the others sentenced to death —  the etiquette suitable for those condemned, in order that no one might by confused or awkward when the time came for their fates to be realized.



“At 15, Marie Antoinette was married. At 19 she was a Queen, a creature lovely to look upon. At 37 she died on the guillotine, one of the most pitiable as she was the most conspicuous among all the thousands upon thousands who lost their heads in the French Revolution. Born the daughter of Emperor Francis Ist of Austria and his ambitious and gifted consort, Marie Therese, she was reared, for a Princess of the blood, among exceedingly simple surroundings. Small wonder that the transition from what almost had been a cloistered life to the most brilliant, the most dissolute, the most extravagant court in Christendom should have proven disastrous for her. From the hour when she became the wife of the heir apparent to the French throne, the pathway of the girl-bride was beset with difficulties and pitfalls.

“She was under the exacting dominion of her imperious father-in-law, Louis XV; she was under the hostile eye of Louis’s shrewd and unscrupulous mistress, Madame du Barry. She was enmeshed in intrigues, envies, jealousies, feuds and plots. That she was frivolous and headstrong and wasteful; that she made enemies by her interference in public affairs; that she estranged those who should have been her friends and her devoted allies, these charges, not even her most sympathetic partisan among the chroniclers could deny. But when the Monarchy fell in bloodied ruins; when the ‘Time of the Terror’ came to Paris; when she was insulted, imprisoned, widowed by violence; when she barbarously was torn from her children, including that hapless boy who went down in history as the Lost Dauphin; when at her trial she so gallantly faced atrocious accusations affecting her moral character; when finally she was led forth bound like a dangerous malefactor to be done to death before a shrieking, exultant mob, then her courage, her faith and her noble bearing redeemed Marie Antoinette for all the grievous shortcomings of her youth.

“As a ruler she fell short, as a wife she had her faults, as a royal politician she was an abject failure. But as a mother, as a woman rising to sublime heights of fortitude in the face of a hideous doom, she stands forth for posterity, an heroic and noble figure. Her old secret foe, Madame du Barry, was born like a commoner and died like a craven of commoners. Being condemned to the knife, she went screaming and struggling to her fate— writhing in her bonds, begging for mercy with her last breath, practically crazed with fright. But in her death, at least, Marie Antoinette was regal and splendid.” — By Irvin S. Cobb, 1925



Etiquette Enthusiast, Maura J Graber, is the Site Editor for the Etiquipedia© Etiquette Encyclopedia

Sunday, August 25, 2019

Marie Antoinette and Mme. Etiquette

Nicknamed “Madame Etiquette” by Marie Antoinette, for her continual insistence that no minutia of Versailles court etiquette could ever be ignored or disregarded, French noblewoman and Versailles court official, Anne d’Arpajon, the Comtesse de Noailles, served as the “dame d’honneur” for two Queens of France – Marie Leszczyńska and Marie Antoinette. –Above– Judy Davis played Madame Etiquette in 2006’s “Marie Antoinette” Photo source, Pinterest

 A Delicate Point?
“When fourteen year old Marie-Antoinette arrived in France the lady singled out to be her guide was not a warm, motherly person but the one who was next in line for such an exalted office. It was Anne Claude Louise d'Arpajon, Vicomtesse de Noailles, who had been the first lady-in-waiting to the late Queen Marie Lesczynska and was therefore a stickler for etiquette. – The Tea at Trianon Blogspot
The Comtesse de Noailles, nicknamed “Madame Etiquette,” bored Marie Antoinette very much by her particularity on minor points of conduct. One day, Marie Antoinette’s mocking spirit had its chance. She fell from her donkey and lay on the grass for a while, laughing. “Run as fast as you can,” she said to the nearest attendant as soon as she could speak, “and ask Madame Etiquette how the Queen of France ought to behave when she tumbles off her donkey.” – Santa Cruz Sentinel, 1910

 🍽Etiquette Enthusiast, Maura J. Graber of The RSVP Institute of Etiquette, is the Site Editor for the Etiquipedia© Etiquette Encyclopedia

Friday, March 17, 2017

Etiquette and Marie Antoinette


Anne d'Arpajon, aka "Madame Etiquette" ~A French aristocrat and First Lady of Honour to Queens of France, Marie Leszczyńska and Marie Antoinette, Anne d'Arpajon was called "Madame Etiquette" by Marie Antoinette for her insistence that no minutia of court etiquette ever be disregarded or altered in any way. 

Dressing the French Queen

What a cruel ceremony was the dressing of that tame Queen! When Maria Antoinette, in the days of her cumbersome greatness, stood of a morning in the centre of her bed chamber, awaiting, after her bath, her first article of dress. It was presented to her, or rather it was passed over her royal shoulders by the "Dame d'Honneur." Perhaps, at the moment, a "Princess of the Blood" entered the room (for French Queens both dressed and dined in public), the right of putting on the primal garment of Her Majesty immediately devolved upon her, but it could not be yielded to her by the "Dame d'Honneur;" the latter, arresting the chemise de la reine as it was passing down the royal back, adroitly whipped it on, and, presenting it to the "Premiere Dame," that Noble lady transferred it to the "Princess of the Blood."

Madame d'Arpajon had once to give it up to the Duchess of Orleans, who, solemnly taking the same, was on the point of throwing it over the Queen's head, when a scratching (it was contrary to etiquette to knock) was heard at the door of the room. Thereupon entered the Countess de Provence, and she being nearer to the throne than the Lady of Orleans, the latter made over her office to the new comer, in the meantime, the Queen stood like Venus as to covering, but shaking with cold, for it was mid-winter, and muttering, "what an odious nuisance." The Countess de Provence entered on the mission which had fallen to herself, and this she did so awkwardly, that she entirely demolished a head-dress which had taken three hours to build. The Queen beheld the devastation, and got warm by laughing outright. – D. Doran, 1855


Etiquette Enthusiast, Maura J Graber, is the Site Moderator and Editor for the Etiquipedia© Etiquette Encyclopedia

Friday, August 28, 2015

Etiquette: The French Politesse

  Anne d'Arpajon, aka "Madame Etiquette" ~A French aristocrat and first lady of honour to Queens of France, Marie Leszczyńska and Marie Antoinette, Anne d'Arpajon was called"Madame Etiquette" by Marie Antoinette for her insistence that no minutia of court etiquette ever be disregarded or altered in any way.
   (Above is Judy Davis, playing "Madame Etiquette" to Kirsten Dunst's Marie Antoinette, in the movie of the same name.)

France has maintained a ceremonial tradition directly derived from the usages of court life, when a breach in protocol could cost a courtier his apartment at Versailles, when royal infants were born in public, and when foreign princesses arriving to wed the French King were requested to disrobe completely at the border and change into French clothes. France has an almost oriental sense of decorum. As a Chinese professor told Giraudoux: 'Our countries were made to get along. They are the only ones which both have a cuisine and a politesse.'  

But with the Jacobin reaction against the courtly tradition, good manners were denounced as a class weapon. There arose a countertradition of deliberate gruffness. Rudeness in the Jacobin mentality was a way for the common man to affirm his equality. If you called a man a bougre  or a jean-foutre (the two most common Jacobin epithets)  you showed that you were as good as he was. In contemporary France these two traditions coexist. 

Visitors are baffled by the tangle of perfect courtesy and incredible rudeness. This does not mean that some Frenchmen are rude and others are polite. It means that the same man who kisses a lady's hand in a drawing room will half an hour later be grossly insulting to a fellow motorist at a red light. Such inconsistency is only possible because good manners are considered a form of currency which makes it possible to obtain certain amenities in life and thus should be used thriftily and not on strangers.

The polite tradition is considered a rampart of French civilization, a code of behavior which makes life in society possible. Since the 12th century, books on etiquette have been advising the French on how to mop up the sauce and blow their noses. In 1559 Mathurin Cordier wrote in his Mirror of Youth for the Formation of Good Manners and Civility: 'If you blow your nose with two fingers and snot falls on the ground, place your foot over it.' 

Politeness in the French sense is not natural, but contrived. It is precisely because it is artificial that it is recognized as a mark of special attention. It is, as Montesquieu remarked, an embellishment. To present his hand to a lady passing from one room to another he rushes toward her as though she were in danger of falling; he runs to pick up a glove or a handkerchief with as much precipitation as if he were withdrawing it from a fire.

The French gendarmerie's book of etiquette, which is called Advice from an Old to a Young Gendarme describes the correct way to shake a hand:  'The way to shake a hand is equally a sign of good education. It must not be squeezed, or brandished, or slackly dropped. The shaking of the hand must be straightforward and without brusqueness. Too brief, it is discourteous; too prolonged, it indicates a familiarity which is permitted only among intimates.'  Attention must be paid this basic daily ritual of French life. The factory foreman spends ten to fifteen minutes each morning shaking the hands of all the workers in his keep. The busy waiter in a café, his hands wet from rinsing cups and saucers, extends his folded elbow like an amputee to regular customers. Ostracism in France is to spend a day without shaking anyone's hand." — From Sanche de Gramont's, 1969 “The French - Portrait of a People”



Etiquette Enthusiast, Maura J. Graber, is the Site Editor for the Etiquipedia© Etiquette Encyclopedia

Wednesday, October 22, 2014

Etiquette Run Mad in Royal Courts

“This is ridiculous!” Kirsten Dunst as a young, Marie Antoinette

 “Etiquette Run Mad,” 1879
We, in this easy mannered republic, can have a little conception of the tyranny which etiquette has exercised in all the great courts of the world, and the imposing part it has played in the adjustment of grave national questions. Here, all our citizen kings can attend a reception at the White House without invitation, and with no forms of courtesy beyond those of ordinary good breeding. We feel only a sense of the ludicrous when we read of the fume and passion into which courtiers used to fall when offered a stool instead of a chair, in some royal drawing-room; placed at a feast opposite the carver, or below one whom they assumed to outrank.
Etiquette must not be violated, though the heavens fall...
During the reign of Louis XIV, while a tremendous war was raging between France and Spain, the grand monarch and his favorite courtiers where amusing themselves with fétes and balls among the marvelous groves, lakes, and fountains of Marly. One morning, the Duke of Villeroy, hot and dusty, came spurring to court with army dispatches. News of a decisive battle was hourly expected, and everybody awaited the opening of the papers with feverish impatience. But, unhappily, the minister whose duty it was to break the seal and present them to the king, was absent for the day. They might contain news of the defeat, of instant necessities, and changed instructions, but no matter, etiquette must not be violated though the heavens fall, and the haughty Louis, though dying with anxious suspense, went on with his childish masquerading with serenest countenance. The courtier was obliged to skulk out of sight and affect not to exist till the return of the proper functionary, when he suddenly resumed himself and presented his dispatch is, as if he had just that moment arrived.
“Madame... THIS is Versailles.” Judy Davis as “Madame Etiquette”
When Marie Antoinette, that charming, though somewhat volatile young princess, came over from simple-mannered Vienna to be the bride of the dauphin, she chafed much under the tedium of French etiquette. Her daily toilet was an affair of the most elaborate ceremony. Had she ventured to wash her own face or clasp her shoe-buckles, the whole court would have stood aghast with horror. Here is an example, one of many, showing how cruelly the rich free life of the young princess was tortured and pressed into the iron mould of court ceremonial. On one occasion, a lady in waiting was about lifting the Royal chemise over the royal shoulders, when the door opened and a second lady, superior in rank, entered. So the uplifted garment had to pause in mid air till number two could take it, and this happened thrice before the shivering young creature could be got into her clothes!
Prince Charles and Henrietta of France

Earlier in the century, when England sent to arrange a marriage between Prince Charles and Henrietta of France, everything came to a halt on the mighty question, whether His Eminence, Cardinal Richelieu, should give his right hand to the embassadors, and how many steps he should advance in conducting them out of the room. A messenger was about to be dispatched to consult the king of England in this grave difficulty when it fortunately occurred to somebody that if the cardinal would receive in bed, etiquette would be suspended. Accordingly, he feigned sickness, went to bed, and without further diplomacy the marriage settlements were made.

Few things in the records of the olden centuries are more amusing than those which relate the entanglements of court ceremonial.


From Demorest's Family Magazine 1879

 🍽Etiquette Enthusiast, Maura J. Graber of The RSVP Institute of Etiquette, is the Site Editor for the Etiquipedia© Etiquette Encyclopedia

Friday, September 26, 2014

Marie Antoinette’s “Madame Etiquette”


Anne d'Arpajon, aka "Madame Etiquette" ~A French aristocrat and first lady of honour to Queens of France, Marie Leszczyńska and Marie Antoinette, Anne d'Arpajon was called"Madame Etiquette" by Marie Antoinette for her insistence that no minutia of court etiquette ever be disregarded or altered in any way.
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Madame de Campan, first lady-in-waiting to Marie Antoinette, wrote of the Versailles' etiquette rules: 
“These servile rules were drawn up into a kind of code; they offered to a Richelieu, a La Rouchefoucauld and a Duras, in the exercise of their domestic functions, opportunities of intimacy useful to their interests; and their vanity was flattered by the customs which converted the right to give a glass of water, to put on a dress, and to remove a basin, into honorable prerogatives.”
Actress Judy Davis, standing behind Kirsten Dunst's Marie Antoinette, portrayed Anne d'Arpajon, aka”Madame Etiquette,” in the 2008 film, “Marie Antoinette” ~ “To enact their existence, to demonstrate their prestige, to distance themselves from lower-ranking people and have this distance recognized by the higher-ranking – all this was purpose enough in itself. But in etiquette this distancing of oneself from others as an end in itself finds its consummate expression.” – From Norbert Elias, 1983 “The Court Society”

 

🍽Etiquette Enthusiast, Maura J. Graber of The RSVP Institute of Etiquette, is the Site Editor for the Etiquipedia© Etiquette Encyclopedia



Friday, December 20, 2013

French Court Etiquette at Versailles and Who Was “Madame Etiquette”?


Marie Antoinette's royal family in Austria was quite informal, so the seemingly absurd etiquette at French court annoyed her greatly. Marie Antoinette would pick at food, preferring a second meal be served in her private chambers. 

Etiquette Rules at Versailles:

It was in the Queen’s antechamber that the public meals were held, whose sumptuous ritual, Grand Couvert, attracted a large crowd. Grand Couvert was a public ritual, in which the French King and Queen ate their dinner in public view. Only the royal family could take their places at the table and before them, seated, the duchesses, princesses or high-ranking persons who had the privilege to sit on a stool, then, standing, the other ladies and persons who, due to their rank or with the authorisation of the usher, had been allowed to enter.

The room where Marie-Antoinette didn't eat her dinner; The Salon of the “Grand Couvert” has been restored to its past splendor, part of an ongoing refurbishment of the entire palace. 

Louis XIV subjected himself to this performance almost every evening; Louis XV often preferred intimate suppers; as for Louis XVI and Marie Antoinette, a testimony from that time reports that:
“The Queen sat on the King’s left. They had their backs turned to the fireplace […] The King ate with a good appetite, but the Queen did not remove her gloves and did not use her serviette, which was very wrong of her.”
To counter this boredom, Marie-Antoinette asked for there always to be music in the Grand Couvert and for that purpose a platform was set up for the musicians in this room.


Other Rules:

Those wanting to speak to the king were not to knock on his door. Instead, using the left little finger, they had to gently scratch on the door until they were granted the permission to enter the room. Many courtiers grew that fingernail longer than the others for that purpose.

A lady never held hands or linked arms with a gentleman. It was in very bad taste and nearly impossible because a woman’s skirts were so wide. She was to place her hand on top of the gentleman’s bent arm as they strolled through the gardens and chambers of Versailles. Ladies were only allowed to touch their fingertips with the men.

The king and queen always had a fauteuil (armchair) to sit on. In their presence, no one else was allowed an armchair, unless you were also a monarch.

A chair with a back but no arms was allowed for those closest in rank to the king, such as his brother or children.

The tabouret, a padded stool was awarded to those holding the rank of duchess. Lesser ranking nobility would be expected to stand.

For nightly Grand Couvert, men and women had to dress appropriately. Appropriate dress included swords for the men. If a gentleman arrived at Versailles for Grand Couvert without his sword, it is said he could rent one.

Etiquette for the aristocracy included how to use a napkin, how far to unfold it in one's lap and when to use it .

Only ushers were allowed to open doors. If you desired to leave the room, you had to wait for the usher to open the door.


Of Versailles and France, Margaret Visser wrote;

During the 17th century, in France, manners became a political issue. King Louis XIV and his predecessors, in collecting together the nobility of France to live with the sovereign at Versailles, instituted a sort of school of manners. At the palace, the courtiers lived under the despotic surveillance of the king, and upon their good behavior, their deference, and their observance of etiquette their whole careers depended. If you displeased a Louis, he would simply "not see you" the following day; his gaze would pass over you as he surveyed the people before him. And not being “seen” by the king was tantamount to ceasing to count, at Versailles.

A whole timetable of ceremonies was followed, much of it revolving around the King's own person. Intimacy with Louis meant power, and power was symbolically expressed in attending to certain of the king's most private and physical needs: handing him his stockings to put on in the morning, being present as he used to chaise percée, rushing when the signal sounded to be present as he got ready for bed. It mattered desperately what closeness the king allowed you - whether he spoke to you, in front of whom, and for how long.

The point about Versailles was that there was no escape: the courtiers had to “make it” where they were. The stage was Louis's, and the roles that could be played were designed by him. It was up to each courtier to fit him- or herself into one of the slots provided. The leaders of all the other towns and villages of France were made, largely through the use of etiquette, and more specifically through rudeness and judicious slighting by the tax-collecting intendants, to feel their subordination, the distance from the court.

Once, the nobility had relied on strength, swagger, and vigor, even violence, personally to make their mark and uphold their honour; at Versailles, the way to success became discretion, observation, cunning, and the dissembling of one's aims and passions. At Versailles, and at the courts all over Europe which imitated it - everything was done to make it very clear who was superior to whom; and of course, each time anyone was polite, he or she was simultaneously acknowledging rank and demonstrating who stood where.

The new manners - both the formal rules of protocol and precedence and the unspoken, more profoundly enculturated rules like table manners - were seen increasingly, according to Elias, as ways in which one did not offend other people. You were controlling yourself, so as to prevent other people from being disgusted or “shocked.” People lived very closely together at Versailles; everyone was watched by everyone else, and actual physical proximity helped raise some of the new sensitivity to other people's real or imagined susceptibilities. Men were expected on the whole to give up physical force as a means of getting their way, and - as always when "the graces" are preferred over brute strength - women begin to count for more. Within the aristocratic court circle, people became, in spite of the obsession with rank, far more equal. Secure in the knowledge that just being at court was the pinnacle of prestige, from which most of society was shut out, courtiers could permit themselves to respect each other.

As the bourgeois became richer and more indispensable even at court, they demanded - and were given, by self appointed experts who wrote manuals for them - instruction in how to behave as people did in "the best circles." In 1672, Antoine de Courtin produced “Nouveau trait' de la civilité' qui se pratique en France parmi les honnestes gens” or The “New Treatise of the Civility Which is Practiced in France Among Honest People.” (“Honest” -hônnete- kept its original association with honour and the opposite-but-supporting motion, shame.) De Courtin writes about manners for both hosts and guests, and invite advises his bourgeois readers on how they should address the nobility. The church in France also produced handbooks of manners and talk to precept in schools. Gradually gentility spread down from the court to the bourgeois, and finally trickled further down to the rest of the population. The bourgeois were even stricter about standards of civility than were the nobility were; having no ever-present King do enforce the rules, they imposed restraints on themselves. Being more anxious to rise, they had more to lose by making slips and gaffes; so their self-inhibiting mechanisms had to be deeper rooted, less obviously the donning of an external personna than the nobility could permit themselves. The policing of emotions became internal, and finally invisible even to themselves: they were able to think that they acted, not in obedience to power and self-interest but for purely moral reasons.


Chateau Versailles 

The Courtiers:
“The whole of France around the King”

The spacious quarters at Versailles allowed a large Court to live in residence close to the King. Depending on the days, 3,000 to 10,000 people crowded there, forming a very varied society with a rigid hierarchy. Some were there by birthright, others by social obligation, others out of self-interest or curiosity, and others still to earn their living. The high-ranking nobility were often present, currying the favours of the master of Versailles.

The courtiers were obliged to follow the rules of Etiquette. These extremely strict rules governed priority, determining not only who was allowed to approach the important people in the Court, but also where and when. Gestures and language were also codified and varied subtly according to the circumstances: this included using titles to address different people, the right to sit down, and use an armchair, a simple chair or a stool, etc.

Among the courtiers, those who held a role were said to be "established" at Court. These roles, either inherited or purchased, often very dearly, corresponded to a function or office. For the most important, the King's approval was essential; this was particularly the case for the secretaries of State. But for a simple valet de chambre or barber, the agreement of the Grand Master of the King's Household was sufficient. Living quarters in the palace were also highly sought after. They avoided much travelling back and forth and provided a place of retreat for those moments when one was not at Court. The princes of the royal family had apartments overlooking the gardens, while "established" courtiers were accommodated on the town side or in the Palace outbuildings: in the Grand Lodgings, the Stables and so on.

Serving the King in the army or in high administration was the principle means of gaining the Monarch's favour, even if the art of appearances at Court remained essential. Personal attributes, such as beauty or wit, rivaled with dazzling finery to attract the Monarch's attention. By granting the Court greater importance than either Henri IV or Louis XIII had done, Louis XIV gave the nobles a sense of service. Serving was a means of pleasing the Sovereign, it was useful to the kingdom and contributed to a certain control over the nobility, thereby strengthening the royal authority.


The French court imposed elaborate codes of etiquette on the aristocracy, among them the way to use a napkin, when to use it, and how far to unfold it in the lap. A French treatise dating from 1729 stated that “It is ungentlemanly to use a napkin for wiping the face or scraping the teeth, and a most vulgar error to wipe one's nose with it.” And a rule of decorum from the same year laid out the protocol:

“The person of highest rank in the company should unfold his napkin first, all others waiting till he has done so before they unfold theirs. When all of those present are social equals, all unfold together, with no ceremony.”
Fashionable men of the time wore stiffly starched ruffled collars, a style protected while dining with a napkin tied around the neck. Hence the expression “to make ends meet.” When shirts with lace fronts came into vogue, napkins were tucked into the neck or buttonhole or were attached with a pin. In 1774, a French treatise declared, “the napkin covered the front of the body down to the knees, starting from below the collar and not tucked into said collar.” 

Of Nobility in France


Nobility in France was generally hereditary and was passed down through the male line. It had certain privileges attached to it, such as being exempt from taxes, sole access to certain offices and positions within the civil and military administrations of France, and all commissions in the army. There was a sense that as a noble, one was possessed of greater intelligence, more refined sentiments and in general more deserving of the best life had to offer.

In general, there were three ways to become a noble:

1) By birth ~ The father must be of noble blood. Illegitimate children could be ennobled by letters patent from the sovereign. The king’s illegitimate offspring were automatically noble, and therefore needed no ennobling. (However they were still illegitimate, and needed to be legitimated. This was accomplished finally by naming only the father, and not the mother.)
2) By holding certain offices, either by purchase or appointment, such as in the king’s household, or in the Parliament.
3) By royal decree.

These are the titles of nobility, and the order of their importance:

1) Duc
2) Comte
3) Marquis
4) Vicomte
5) Baron

These titles as well as the names of the family were derived from the properties they were attached to, and only one person at a time could carry each of these titles. However, the presence or absence of a title was not in itself a test of nobility, because there were generally more family members than there were titles to go around.

One you have reached the threshold of nobility, there are still more degrees of nobility: How long has your family been noble? How many of your paternal and maternal grandparents’ lineages were noble? The oldest nobility was traced to the “Mists of Time,” back in the early recorded history of France. 

Of those already blessed enough to claim the ties of nobility, some could also claim peerages. These peers originated from the twelve dukes who were raised in the 12thcentury above the other dukes by the King as his direct vassals.

Though forks had established a foothold in the polite society of France, by the later 1500s, Louis XIV still ate with his hands. He had plenty to say about using one's knife though... Etiquette required that aristocratic nobleman always bring their own dining implements to banquets. Specifically, the dagger used for both cutting and spearing their food. Some diners used the tip of their daggers/knives to pick their teeth, which one can imagine was disgusting. Louis XIV put an end to such spectacles by outlawing pointed, double-edged personal use daggers, thus creating a demand for not with a rounded and and the single cutting edge that we have today. Louis XIV was also the first king to provide his dinner guests with individual place settings of a knife fork and spoon so they need not bring their own. 

There were ecclesiastical peers, which ranked ahead of lay peers. For lay peers, the order of precedence was determined by date of peerage’s creation- except as it applied to Princes of the Blood, they gained precedence over the other peers, regardless of peerage creation date, because of their claim to royal blood.

By the time of Louis XIV, the main role of the peers was to participate in the coronation ceremony. This was important, because it created precedence in day-to-day life for the title-holder over others without this distinction.

Even more important than title was rank. Rank in regards to the Court of France can be understood as a degree of eminence within the class of nobility. It was measured from the king on down, so the highest ranks were filled by the individuals most closely related to the king, and the higher the rank, the greater the precedence.

Within the royal family, the rank and precedence of said persons was:

1) King and Queen

2) Dauphin and Dauphine (1st in line for throne)

3) Sons of the current king

4) Daughters of the current king

5) Sons of the former king

6) Daughters of the former king 

After the immediate relatives, there were the Princes du Sang, or “of the blood,” who were related to the royal blood in a lesser concentration than the immediate family.

The framework of rank and precedence were pretty firmly fixed. There might be wiggle room in certain situations, but being that everyone was fiercely protective of their rights of precedence, any concession a person finagled for their self would usually be nullified at the next occasion, and they would be put back in their place.

The prestige attached to a name was a valuable commodity for those trying to advance themselves or their connections at court. In everyone's eyes, the most important factors in determining a family's prestige were:

  • How long had a given family been noble
  • Into what other families did it marry
  • What positions its members achieved and what offices they held
  • What actions they performed
Madame Etiquette was played by Judy Davis in 2006's “Marie Antoinette” 

Etiquette, “Madame Etiquette” and Marie Antoinette

This hierarchy was played out through etiquette. Life at Versailles was centered on conversational skill and interpersonal interactions, just as much of which was non-verbal in its expression. The way courtiers moved through the day at court could be summed up with the housekeeping maxim: “A place for everything, and everything in its place.”

While these distinctions seem unimportant today, in the 17th century knowledge and use of proper etiquette was vital because it was the foundation of the social order and political system of the ancien regime.

Using one of the most often cited subjects of this code of etiquette are the rules of seating arrangements. The king and queen always had a fauteuil, an armchair to sit upon. Within their presence, no one else was allowed an armchair, excepting another monarch. A chair with a back but no arms was allowed for those closest in rank to the king, such as his brother or children. The tabouret, a padded, drum-shaped stool was awarded to those holding the rank of duchess. Lesser ranking nobility would be expected to stand.

At some point Louis XIV’s brother Philippe, Duc d’Orleans, lobbied for an armchair in the king’s presence instead of the armless chair he was allowed already. In the Memoires of Madame de Montespan, she records Louis’ explanation to his brother for denying to him this elevation of rank. In Louis’ reasoning we understand better the power of etiquette as the expression of rank and privilege:

It is in your interest, brother, that the majesty of the throne should not be weakened or altered; and if, from Duc d'Orleans, you one day become King of France, I know you well enough to believe that you would never be lax in this matter. Before God, you and I are exactly the same as other creatures that live and breathe; before men we are seemingly extraordinary beings, greater, more refined, more perfect. The day that people, abandoning this respect and veneration which is the support and mainstay of monarchies,--the day that they regard us as their equals,--all the prestige of our position will be destroyed. Bereft of beings superior to the mass, who act as their leaders and supports, the laws will only be as so many black lines on white paper, and your armless chair and my fauteuil will be two pieces of furniture of the selfsame importance.

In other words, the importance of your position at Court was dependent on how well you recognized and defended etiquette. Personal feelings were irrelevant because the symbolic place held by a person mattered more. Your place and the attention you received devolved from the treatment of others around you.

Rank and precedence was the visible glue holding the structure of the ancient regime system together. To ignore and disparage this meant that the whole system would come into question, as it did in the reign of Louis XVI.

Obviously there were more factors involved in contributing to the great social upheaval that was the French Revolution than etiquette being marginalized, but it is a way to compare and contrast why society changed; why it happened in 1789 and not before (as there had been governmental insolvency and peasant uprising during the reigns of Louis XIV and Louis XV).

Madame de Campan, a lady-in-waiting to Marie Antoinette, wrote of etiquette:

These servile rules were drawn up into a kind of code; they offered to a Richelieu, a La Rouchefoucauld and a Duras, in the exercise of their domestic functions, opportunities of intimacy useful to their interests; and their vanity was flattered by the customs which converted the right to give a glass of water, to put on a dress, and to remove a basin, into honorable prerogatives.

So, while she was a victim in many ways, Marie Antoinette played a role in this marginalization of etiquette: She did not want to dispatch the role of queen in the prescribed manner and chose instead to retreat from the endless rules into an environment of informality, thus depriving the Court of opportunities for acting out their duties (which were considered not to be a chore but an honor to hold), and therefore made her position seem unnecessary at worst and meaningless at best.


Who was Madame Etiquette?
Anne d'Arpajon, aka “Madame Etiquette” ~A French aristocrat and first lady of honour to Queens of France, Marie Leszczyńska and Marie Antoinette, Anne d'Arpajon was called “Madame Etiquette” by Marie Antoinette for her insistence that no minutia of court etiquette ever be disregarded or altered in any way. 



  🍽Etiquette Enthusiast, Maura J. Graber of The RSVP Institute of Etiquette, is the Site Editor for the Etiquipedia© Etiquette Encyclopedia